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LAUREN HELPERN - SET DESIGN

21 E 4th Street, 7th Floor
New York, NY 10003
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LAUREN HELPERN - SET DESIGN

  • PLAYS
  • MUSICALS
  • VIDEO
  • ABOUT
  • BUTTER DESIGNS
  • CONTACT

LOST IN YONKERS

Written by Neil Simon

Produced by Hartford Stage

Co-Directed by Marsha Mason & Rachel Alderman

Costumes by An-Lin Dauber

Lighting by Aja M. Jackson

Sound by Broken Chord

"Lauren Helpern’s set design is clever. Curving around the back of the raised playing space is a wall covered in green period wallpaper; set in the wall are five green doors, side by side. These give the initial impression of a door-slamming farce, but we quickly understand that they are here to convey a sense of how small and cramped the apartment is. What we see is the one room that serves as a living room (and Jay and Arty’s bedroom, curtesy of a pull-out sofa) and a dining room. We can only imagine the small size of the bedrooms and bathroom behind the doors.”

-- Connecticut Critic’s Circle

“Lauren Helpern’s set design is the best thing about this show. It’s bright and glowing and open and frisky.”

-- Hartford Courant

“It felt as though we were looking in to the Kurnitz family's home and risked being caught, thereby ruining theater magic, which was marvelously produced by Lauren Helpern's scenic design (Broadway: Voices in the Dark, Off-Broadway: Skintight & Bad Jews, 4000 Miles & Disgraced), Aja M. Jackson's lighting design (Off-Broadway: A Commercial Jingle for Regina Comet, Regional: Behold, A Negress; Hear Word), and costume design by An-lin Dauber (Hartford Stage: It's a Wonderful Life: A Live Radio Play, New York: Paul Swan is Dead and Gone).”

-- Broadway World

LOST IN YONKERS

Written by Neil Simon

Produced by Hartford Stage

Co-Directed by Marsha Mason & Rachel Alderman

Costumes by An-Lin Dauber

Lighting by Aja M. Jackson

Sound by Broken Chord

"Lauren Helpern’s set design is clever. Curving around the back of the raised playing space is a wall covered in green period wallpaper; set in the wall are five green doors, side by side. These give the initial impression of a door-slamming farce, but we quickly understand that they are here to convey a sense of how small and cramped the apartment is. What we see is the one room that serves as a living room (and Jay and Arty’s bedroom, curtesy of a pull-out sofa) and a dining room. We can only imagine the small size of the bedrooms and bathroom behind the doors.”

-- Connecticut Critic’s Circle

“Lauren Helpern’s set design is the best thing about this show. It’s bright and glowing and open and frisky.”

-- Hartford Courant

“It felt as though we were looking in to the Kurnitz family's home and risked being caught, thereby ruining theater magic, which was marvelously produced by Lauren Helpern's scenic design (Broadway: Voices in the Dark, Off-Broadway: Skintight & Bad Jews, 4000 Miles & Disgraced), Aja M. Jackson's lighting design (Off-Broadway: A Commercial Jingle for Regina Comet, Regional: Behold, A Negress; Hear Word), and costume design by An-lin Dauber (Hartford Stage: It's a Wonderful Life: A Live Radio Play, New York: Paul Swan is Dead and Gone).”

-- Broadway World

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