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LAUREN HELPERN - SET DESIGN

21 E 4th Street, 7th Floor
New York, NY 10003
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LAUREN HELPERN - SET DESIGN

  • PLAYS
  • MUSICALS
  • VIDEO
  • ABOUT
  • BUTTER DESIGNS
  • CONTACT
4000 miles hug adjusted 300.jpg

4000 MILES

LUCILLE LORTEL AWARD, HEWES AWARD NOMINATION

 

Written by Amy Herzog

Produced by Lincoln Center Theater

Directed by Daniel Aukin

Costumes by Kaye Voyce

Lighting by Japhy Weidman

Sound by Ryan Rumery

Props by Faye Armon-Troncoso

 

Mitzi Newhouse Theater and The Duke (LCT3)

 

"Every aspect of the director Daniel Aukin's production for Lincoln Center Theater's LCT3 program enhances the delicacy and honesty of Ms. Herzog's writing.  The set, by Lauren Helpern, reflects Vera's bohemian past as a classic mid-century liberal in subtle ways, from the ethnic art to the drab filing cabinets used as end tables, a particularly telling touch."

-- New York Times

"Set designer Lauren Helpern has conjured a generic little-old-lady's rent-controlled apartment in the Village and added just the right touches (Mexican pottery, wooden masks, and lot and lots of books) to personalize it as the home of a real person."

-- Variety

"Lauren Helpern's set looks like an actual New York apartment (as opposed to those fantasy apartments you see on television or in the movies.)"

-- Wall Street Journal

 

 

4000 MILES

LUCILLE LORTEL AWARD, HEWES AWARD NOMINATION

 

Written by Amy Herzog

Produced by Lincoln Center Theater

Directed by Daniel Aukin

Costumes by Kaye Voyce

Lighting by Japhy Weidman

Sound by Ryan Rumery

Props by Faye Armon-Troncoso

 

Mitzi Newhouse Theater and The Duke (LCT3)

 

"Every aspect of the director Daniel Aukin's production for Lincoln Center Theater's LCT3 program enhances the delicacy and honesty of Ms. Herzog's writing.  The set, by Lauren Helpern, reflects Vera's bohemian past as a classic mid-century liberal in subtle ways, from the ethnic art to the drab filing cabinets used as end tables, a particularly telling touch."

-- New York Times

"Set designer Lauren Helpern has conjured a generic little-old-lady's rent-controlled apartment in the Village and added just the right touches (Mexican pottery, wooden masks, and lot and lots of books) to personalize it as the home of a real person."

-- Variety

"Lauren Helpern's set looks like an actual New York apartment (as opposed to those fantasy apartments you see on television or in the movies.)"

-- Wall Street Journal

 

 

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