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LAUREN HELPERN - SET DESIGN

21 E 4th Street, 7th Floor
New York, NY 10003
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LAUREN HELPERN - SET DESIGN

  • PLAYS
  • MUSICALS
  • VIDEO
  • ABOUT
  • BUTTER DESIGNS
  • CONTACT

FENCES

Written by August Wilson

Produced by Ford’s Theater

Directed by Timothy Douglas

Costumes by Helen Huang

Lighting by Andrew R. Cissna

Sound by Nick Hernandez

 

“Lauren Helpern has created a poetic scenic design that melds the imaginative—a graceful, curving tree—with a photographic backdrop of the neighborhood.”

-- Talkin’ Broadway Regional

“The Ford’s Theatre production is graced with marvelous production design. Lauren Helpern’s set is a fine mix of brick rowhouse naturalism upfront and graphic art in the form of a blown-up photograph of the Hill District setting as a backdrop.”

-- DC Theatre Scene

"Lauren Helpern's scenic design combines the real and surreal, with 2-story brick rowhouse and a vivid sepia-tone image of a half-built street from the Hill District across the upstage wall. The tree-where Troy hangs a ragged old practice ball for batting practice-rises naturally but transitions by its peak to the surreal members of an other-worldly body, fingers articulated towards the sky.”

-- Broadway World Washington DC

FENCES

Written by August Wilson

Produced by Ford’s Theater

Directed by Timothy Douglas

Costumes by Helen Huang

Lighting by Andrew R. Cissna

Sound by Nick Hernandez

 

“Lauren Helpern has created a poetic scenic design that melds the imaginative—a graceful, curving tree—with a photographic backdrop of the neighborhood.”

-- Talkin’ Broadway Regional

“The Ford’s Theatre production is graced with marvelous production design. Lauren Helpern’s set is a fine mix of brick rowhouse naturalism upfront and graphic art in the form of a blown-up photograph of the Hill District setting as a backdrop.”

-- DC Theatre Scene

"Lauren Helpern's scenic design combines the real and surreal, with 2-story brick rowhouse and a vivid sepia-tone image of a half-built street from the Hill District across the upstage wall. The tree-where Troy hangs a ragged old practice ball for batting practice-rises naturally but transitions by its peak to the surreal members of an other-worldly body, fingers articulated towards the sky.”

-- Broadway World Washington DC

outside 2.jpg
clothesline 2.jpg
gabriel.jpg
night porch troy.jpg
altercation.jpg
last scene 8x6.jpg