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LAUREN HELPERN - SET DESIGN

21 E 4th Street, 7th Floor
New York, NY 10003
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LAUREN HELPERN - SET DESIGN

  • PLAYS
  • MUSICALS
  • VIDEO
  • ABOUT
  • BUTTER DESIGNS
  • CONTACT

KING OF THE JEWS

Written by Leslie Epstein

Produced by Parkman Productions

Directed by Alexandra Aron

Costumes by Oana Botez

Lighting by Zach Blane

Sound by Jane Shaw

Props by Sarah Pencheff-Martin

Here Arts Center

“The new production, directed by Alexandra Aron and designed by a crackerjack team (especially set designer Lauren Helpern), has transformed the theater into the Astoria Café, a Jewish-owned nightclub in 1939…”

-- newyorktheater.me

“The evocative set by Lauren Helpern puts the audience in the middle of the café, the actors milling about, their emotions and frustrations up close and personal.”

-- TheaterScene.net

“King of the Jews’ engrossing immersive narrative device is that the show takes place in Lodz, Poland’s, bustling Jewish-owned Astoria Café. New York City’s HERE Arts Center’s mainstage auditorium has been configured into an expansive playing area set with cabaret-style tables and chairs where the audience sits, experiencing the play in often close contact with the cast. There is a raised stage for musicians and performers, a busy bar and an entrance door with adjacent front windows. Scenic designer Lauren Helpern’s voluminous and finely detailed environmental landscape perfectly realize this pointed presentational concept.”

-- theaterscene.org

Close up photos by Russ Rowland

KING OF THE JEWS

Written by Leslie Epstein

Produced by Parkman Productions

Directed by Alexandra Aron

Costumes by Oana Botez

Lighting by Zach Blane

Sound by Jane Shaw

Props by Sarah Pencheff-Martin

Here Arts Center

“The new production, directed by Alexandra Aron and designed by a crackerjack team (especially set designer Lauren Helpern), has transformed the theater into the Astoria Café, a Jewish-owned nightclub in 1939…”

-- newyorktheater.me

“The evocative set by Lauren Helpern puts the audience in the middle of the café, the actors milling about, their emotions and frustrations up close and personal.”

-- TheaterScene.net

“King of the Jews’ engrossing immersive narrative device is that the show takes place in Lodz, Poland’s, bustling Jewish-owned Astoria Café. New York City’s HERE Arts Center’s mainstage auditorium has been configured into an expansive playing area set with cabaret-style tables and chairs where the audience sits, experiencing the play in often close contact with the cast. There is a raised stage for musicians and performers, a busy bar and an entrance door with adjacent front windows. Scenic designer Lauren Helpern’s voluminous and finely detailed environmental landscape perfectly realize this pointed presentational concept.”

-- theaterscene.org

Close up photos by Russ Rowland

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